AB-PR2-1951-002 — Energies (c. 1951)

Technical information

Title : Energies
Date : c. 1951
Technique : Oil on canvas
Dimensions : Unknown
Location : Unknown

Biographical / historical context

In 1951, Breuillaud produced several compositions in which the figurative scene becomes a pretext for a study of dynamism—movement, bodily tension, and the relationships between masses and rhythms.

The title “Energies” announces this ambition: to make visible an inner circulation of forces (human, animal, or mechanical) rather than a simple anecdotal moment.

Formal / stylistic description

The scene is built around warm dominant tones (oranges, ochres), counterbalanced by denser greens and blues. A central figure, more clearly readable, stands out through a light or blue garment; around it, angular forms evoke bodies, tools, or architectural elements.

A large circular motif (wheel, the curve of a cart, or the arc of a branch) structures the space as an armature: it partially frames the figures and concentrates attention.

Oblique lines and broken planes intensify the impression of motion, as if the scene were caught in a whirl of gestures and trajectories.

Comparative analysis / related works

The formal vocabulary—split planes, circular motifs, chromatic contrasts—appears in other works from the same period devoted to labour and collective scenes.

Compared to more descriptive compositions, “Energies” moves closer to a synthetic figuration: the subject remains present, but priority is given to structure and to the internal tension of the composition.

Justification of dating and attribution

The circa dating to 1951 is consistent with the palette and handling: controlled fragmentation, assertive contours, and a search for rhythm.

The attribution to André Breuillaud is confirmed by the visible signature on the work.

Provenance / exhibitions / publications

Private collection. Provenance, exhibitions, and publications: not documented to date.